In this post, we are presenting a clean and modern typeface that is known as Rotis Serif font. It belongs to the serif typeface family and it has a total of marvelous 15 styles and 3 weights including italic, bold and Roman. The designer of this phenomenal typeface is OTL Aicher who released it in 1991 through the famous type foundry named Monotype Corporation.
Furthermore, it has a complete set of characters including uppercase, lowercase, numbers, punctuation marks, symbols, numerators, and denominators, mathematical operators, and plenty of more special characters that are suitable for brands, advertisements, headlines, logos, covers, and business cards. You can also get hands-on Noto serif font that is very similar to this typeface. You can free download this exceptional font from our website for all your personal functions.
Rotis Font Free Zip
This typeface is one of those serif fonts that people use in their designs to compete with some other designers. You can use this font in your numerous platforms such as websites, social media, advertisements, product packaging, branding projects, printing projects, designing programs such as Canva, Powerpoint presentations, logos, posters, book covers, promotions, and many more.
It will be better to purchase the font full license from the font designer. After purchasing the font license, you have full command of using this typeface and will be able to use it for your commercial, printing, display, industrial and official projects.
This is a freeware version of this typeface and you are free to use it in all your non-commercial and personal projects. Just click on the below download button to get it on your operating systems for free.
This is a high-quality serif typeface that comprises 15 fonts. It comes in 3 weights including regular, bold, and roman. The designer of this stunning typeface is OTL Aicher and it was released in 1991 through Monotype Co.
All rights for the fonts given on this website reserved by their owners (authors, designers). The license given on the font page only represents received data. For detailed information, please, read the files (e.g., readme.txt) from archive or visit the website given by an author (designer) or contact with him if you have any doubt. If there is no reported author (designer) or license, it means that there is no information on the given font, but it does not mean that the font is free.
PREAMBLEThe goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others.
The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives.
PERMISSION & CONDITIONSPermission is hereby granted, free of charge, to any person obtaining a copy of the Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell modified and unmodified copies of the Font Software, subject to the following conditions:
3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users.
5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software.
The license for this font is the SIL OFL license. This license does not allow us to redistribute derivative versions of the font without wholesale name changes inside and out of the font. Until we figure out a reasonable method of delivering these to you and complying with the license, you will have to use the Webfont Generator yourself on these, renaming the fonts appropriately.
The Audi Type font styles establish simple, clear-cut hierarchies. They are not assigned to any particular vehicle model, vehicle category or business area. Audi Type is available as a file package with predefined font styles and as Audi Type Variable.
Audi Type Variable is a typeface that can be continuously varied in its weight and width. This distinctive property provides the basis for the flexible application of Audi Type. The typography can be adapted to the requirements, context or statement of an application. In digital applications, for example, Audi Type Variable is very space-saving due to its flexible font width, offering the capacity to adapt to the width of the visible area (the viewport). Readability and contrast can be improved by adjusting the type weight, and in animations Audi Type Variable provides creative freedom.
Audi Type Extended, the font style for headlines, is defined by its font width of 130. If necessary, this width can be reduced to a minimum of 120. The type weight (Normal to Bold) can be freely selected to match the statement.
The typography can be applied in either black or white. Grey scales are possible in the digital context for functional reasons. Type sizes, line spacing and the distance between the text hierarchies can be freely selected. Audi Type Extended is used for headlines and sublines. The headline can be optionally fine-tuned typographically with an optical width of -15.
Function: Many scripts used to write multiple languages over wide geographical areas have developed localized variant forms of specific letters, which are used by individual literary communities. For example, a number of letters in the Bulgarian and Serbian alphabets have forms distinct from their Russian counterparts and from each other. In some cases the localized form differs only subtly from the script 'norm', in others the forms are radically distinct. This feature enables localized forms of glyphs to be substituted for default forms. The user applies this feature to text to enable localized Bulgarian forms of Cyrillic letters; alternatively, the feature might enable localized Russian forms in a Bulgarian manufactured font in which the Bulgarian forms are the default characters.
Representing you a cool, classic, and well famous typeface that is Rotis Font. The typeface family is well known due to its presence over many famous typeface websites and carries many alternatives on Google fonts and Adobe Fonts as well. The designer of this typography style typeface is Otl Aicher and it has been developed in 1988 with the help of that german graphic designer and typeface artist. And produced by Agfa.
Its semi sans style contains 46 Light Italic, 55 Roman, 56 Italic, 75 Extra Bold, 45 Light, 65 Bold, as well. You can get the file by downloading free from our website easily. It is free for your personal and casual work.
The TUI typeface is our exclusive font family, especially developed in conjunction with the logo image. The clear and friendly look is unique, immediately recognisable and highly legible. The font package comprises eight different fonts, all in fundamental language versions. However, TUI Type Light and TUI Type Light Bold are preferably used. They characterise the brand appearance. The TUI Type fonts are used in both external and internal communication.
All weights have also been optimised for screen applications. The TUI web font has been professionally hinted and optimised in quality and legibility for mobile devices as well as in a compressed data size enhancing digital/mobile performance.
Usually, a well-made, comprehensive font will include numbers and other symbols in its design. You do have the occasional creative font that is mainly focused on numbers, but those are few when compared to most common fonts, that include both numbers and letters.
Numerals have more curves and some numerals have ample white space to contend with. Take the letter O. Depending on the font used, some people may have difficulty discerning the letter from the number zero.
The readability of Crimson Text is great, working for both large and small sizes. This gives you ample margin to stick with this font throughout the entire product, without having to worry about the readability of it all.
Roboto Condensed is another highly practical number font. It consists of mostly geometric forms, but still enjoys open curves that make it feel casual as opposed to formal. This font also allows numbers to keep their natural widths, which makes for a natural reading experience.
Roboto Condensed also delivers awesome readability. In fact, the font works well and makes the most of the space it has, making it a wonderful option for small sized numbers. Other great uses for this font include long pieces of content, forms, or displaying prices. Very handy!
The one thing with Valera Round is that while it makes for great readability in small font size, it may not deliver a wow-factor in a bigger size. This means its use for an important figure or number you want to place in evidence in the design is rather limited, as you may wish to go for a font that has a bigger visual impact. 2ff7e9595c
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